This essay aims at presenting the novel "Til", by José de Alencar, going over its formal aspects, which are responsible for unveiling the historical substance on which it is based. Differences and continuities of the book in relation to the previous work of the author are discussed. By bringing the action to a slave-holding coffee farm during the Brazilian "Segundo Reinado" (Second Reign) and intending to figure all social classes involved within the farm's world, Alencar points to the core of the whole system: the coffee production and the slave labour. Hence, the novel figures two poles, centre and periphery - or the "casa-grande" (Big House) and its surroundings -, which are confronted, thus projecting over the novel all kinds of ambiguities, and also accounting for the instability of the very structure of the novel. We aim at showing that the slavery is an essential element of the work, even if the mere reading of its plot does not point directly to this fact.
José de Alencar; "Til"; farm novels; indianist movement; regionalism; slavery