ABSTRACT
We intend to map the lines of rupture and adaptability of a becoming-junglehood. The theoretical framework consisted of considering art and its technical reproducibility, according to Benjamin; the iterability of language as displayed by Derrida; and the relation between assemblage, subjectivation and becoming, according to Deleuze and Guattari. We see processes of rupture and adaptability against a metaphysics of unity when a discursive practice of becoming-junglehood is considered.
Keywords:
reproducibility; re-signification; assemblage; subjectivation
