Abstract
This article wants to show a net of intelectual sociability to be a relationship between the painter Cândido Portinari (1903-1962) and the ibero-american’s culturafl world, specially with the uruguayans Carlos Washington Aliseris, painter, Cipriano Santiago Vitureira, writer, and Enrique Amorim, poetry, and others. Here, the letters was analised like “cultural object”, in the way of the intelectual’s history by the French tradition. These letters showed that for the Buenos Aires city happened a significative numbers of exileds from many parts of ibero-americans and europeans (more spanishs), who took the cosmopolitan argentinian capital to appear like a promissory market of cultural beings.
Portinari; epistlegrafy; cultural area.