ABSTRACT:
Music occupies a prominent place as a means of imitation. The use of music as a tool to inspire and represent affections, which has occurred since ancient times, was integral to eighteenth century music. This can be clearly seen in the works of German composers linked to the compositional doctrine of musica poetica, and especially in the work of Johann Sebastian Bach. However, there are several kinds of musical imitation. Therefore, the purpose of this study is to categorize and define the function of imitation, based on the Aristotelian concept of imitation and on the categories of imitation proposed by Johann Mattheson, one of the main theoreticians of musica poetica. We try to show that ever since the musical conceptions of antiquity, music and poetics have been inseparable.
KEYWORDS:
Musical mimesis; Aristotle; Musica poetica; Johann Sebastian Bach