We seek to associate the notion of "excess" [hubris] with the notion of melancholy from the intellectualist Greek perspective, in which the dualism between body and soul requires the rule of rational discourse [logos] at the expense of philosophical pathos. This association becomes more relevant when understood in light of Simone Weil's interpretation of Homer's epic poem, the Iliad. If this approach is justified, then a rapprochement becomes evident between the tragic character takes on destiny in the classical view, and the notion of contingency as the basis of existential absurdity in existentialist thought.
Melancholy; Destination; Tragic; Contingency; Pathos