Abstract
The general objective of this article is to analyze the influence of post-structuralism in the thought of Judith Butler and Paul B. Preciado. It is argued that queer theory’s critique of feminism can be established through the images and textualities proposed by art; furthermore, on the basis of the influence of poststructuralism in Butler’s and Preciado’s analyses, one can recognize in aesthetics the critical and political capacity that theories of sexual identity intend to achieve. In order to identify these influences, we discuss the contributions of the ideas Jacques Derrida to the work of these authors. In conclusion, we raise some criticisms that warn of the possible limits of gender theories in the plane of aesthetics.
Keywords:
Aesthetics; Gender; Critique; Art; Dance