This article analyzes the film Orlando because it is representative of one of the trends which are emerging in the actual process of social changes occurring in the west capitalist societies. The symbolic dimension of these societies comprehends representations such as rationality, objectivity, pragmatism, unpersonalty, utilitarianism, discipline and affective neutrality which constitute the nucleous of the system of predominant social values. A change of this dimension signifies a revolution on the way of social being. Orlando suggests a reconciliation between reason, sensibility, emotions, feelings and phantasy, opening place for a androgynous society presided by the erotic principle. The productive dynamic of the capitalism is substituted by a form of sociability marked by affection and enjoyment of living.
social change; capitalism; social values; androginy