This photographic essay explores the engagements between crabs, crab-harvesters (caranguejeiros) and their bosses in the e Parnaíba Delta Marine Extractive Reserve. Through its images, the essay shows a crucial moment in the conversion of crabs into commodities: the cut, when crabs in poor condition for sale are separated from the rest. The aim is to demonstrate how the cut simultaneously brings into relation labour practices, technical processes and interactions between humans and other living beings in contemporary capitalism. Hence, the crab-commodity is not produced solely through a commercial relationship but is mediated by an orchestrated set of dynamics involving people, crustaceans and the paths along which they circulate.
Keywords:
Human-animal relations; Commodities; Capitalism; Artisanal fishing; Caranguejo-uçá; Visual ethnography.
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