Time Trails: patrimônio digital em presença no nosso dia a dia

Giannachi, Gabriella; Barrett, William; Farley, Paul; Chapman, Andy; Cadbury, Thomas; Lawrence, Rick; Burbage, Helen

doi:10.1590/2237-266042979

RESUMO

O projeto Time Trails é uma colaboração entre o Centre for Intermedia da University of Exeter, Royal Albert Memorial Museum and Art Gallery, 1010 Media e Exeter City Football Club Supporters Trust (2013). Trata-se de um aplicativo da web para dispositivos móveis que permite aos usuários seguir, comentar e criar roteiros usando texto, imagens e vídeos, respondendo via mídias sociais. São apresentados dois roteiros narrando a história do Exeter City Football Club e de seu Supporters Trust, que são usados para aprendizagem via celular e como parte de experiências em turismo esportivo e cultural. Mostramos como o Time Trails pode ser usado como uma ferramenta de presença para estabelecer novas maneiras de encontro e aprendizagem sobre patrimônio digital em nosso dia a dia.

Palavras-chave: Presença; Patrimônio Digital; Realidade Mista; Trajetórias; Comunidade

ABSTRACT

The Time Trails project is a collaboration between the Centre for Intermedia at the University of Exeter, Royal Albert Memorial Museum and Art Gallery, 1010 Media, and Exeter City Football Club Supporters Trust (2013). It is a mobile web app to allow users to follow, annotate and create trails using text, images and videos, and to respond to them via social media. Two trails narrating the history of Exeter City Football Club and its Supporters Trust, used for mobile learning and as part of sport and cultural tourism experiences are presented. We show how Time Trails can be used as a presencing tool to establish new ways of encountering and learning on digital heritage within our daily lives.

Keywords: Presencing; Digital Heritage; Mixed Reality; Trajectories; Community

RÉSUMÉ

Le projet Time Trails est le résultat d'une collaboration entre le Centre for Intermedia de l'University of Exeter, le Royal Albert Memorial Museum and Art Gallery, le 1010 Media et l'Exeter City Football Club Supporters Trust (2013). C'est une application web conçue pour des dispositifs mobiles et qui permet aux usagers de suivre, de commenter et de créer des scénarios en utilisant du texte, des images et des vidéo, diffusés via les réseaux sociaux. Deux scénarios racontant l'histoire de l'Exeter City Football Club et de son Supporters Trust sont présentés et utilisés pour l'apprentissage via mobile. Ils font partie d'une expérience sur le tourisme sportif et culturel. Nous montrons aussi comment le Time Trails peut être utilisé en tant qu'outil de présence pour établir de nouvelles manières de rencontre et d'apprentissage sur le patrimoine numérique dans notre quotidien.

Mots-clés: Présence; Patrimoine Numérique; Réalité Mixte; Trajétoires; Communauté

Texto completo disponível apenas em PDF.

Referências bibliográficas

BENFORD, Steve; GIANNACHI, Gabriella. Performing Mixed Reality. Cambridge: The MIT Press, 2011.
CASTELLS, Manuel. The Rise of the Network Society. London: Blackwell, 1996.
GIANNACHI, Gabriella; KAYE, Nick. Performing Presence: between the live and the simulatedManchester: Manchester University Press, 2011.
GIANNACHI, Gabriella. Environmental Presence. In: GIANNACHI, Gabriella; KAYE, Nick; SHANKS, Michael. Archaeologies of Presence: art, performance and the persistence of being. London and New York: Routledge, 2012. P. 50-63.
GRECIAN VOICES. GRECIAN VOICES. Available at: <Available at: http://grecianvoices.wordpress.com/ >. Accessed on: 26 sep. 2013.
» http://grecianvoices.wordpress.com/
GIBSON, James. The Ecological Approach to Visual Perception. Boston: Houghton Mifflin, 1979.
HARLEY, John Brian; WOODWARD, David (Org.). The History of Geography, vol. 1. Chicago: Chicago University Press, 1987.
HEIDEGGER, Martin. On the Way to Language. Translation: P. D. Hertz. New York: Harper and Row, 1971 {1959}.
HEIDEGGER, Martin. An Introduction to Metaphysics. Translation: Ralph Manheim. New Haven and London: Yale University Press, 1979 {1959}.
HUSSERL, Edmund. On the Phenomenology of the Consciousness of Internal Time. Translation: J. B. Brough. Dordrecht: Kluwer, 1990 {1928}.
INGOLD, Tim. The Perception of the Environment. London and New York: Routledge, 2000.
LEFEBVRE, Henri. The Production of Space. Translation: D. Nicholson Smith. Oxford: Blackwell, 1992 {1974}.
MILGRAM, Paul; KISHINO, Fumio. A Taxonomy of Mixed Reality Displays. IEICE Transactions on Information and Systems, {s.l.}, v. E77-D, n. 12, p. 449-455, 1994.
WOOD, Denis. The fine line between mapping and mapmaking. Cartographica, Toronto, University of Toronto Press, v. 30, n. 4, p. 50-60, 1993.

1
N. T.: para fins desta tradução, será utilizado o termo presença, que, no sentido de presencing, "é uma fusão de presence (presença) e sensing (sentir/perceber)". Presencing Institute. Disponível em: <http://www.nucleotec.com.br/pi/pt_br-Aprendizagem.asp>. Acesso em: 30 nov. 2013.
2
Agradecimentos: somos gratos ao REACT-HEIF pelo financiamento de nossa pesquisa do Time Trails, ao Art and Humanities Research Council (AHRC) pelo financiamento de nossa pesquisa sobre presença e ao Research Councils of the United Kingdom (RCUK) (EP/G065802/1) pelo financiamento de nossa pesquisa sobre trajetórias. Agradecemos ao programa Kick Start por ter nos dado a oportunidade de testar o circuito e a todas as crianças que participaram de nossa primeira oficina no dia 4 de outubro de 2013 por seu entusiasmo e resposta.
3
N. T.: excerto transcrito de: HEIDEGGER, Martin. A Caminho da Linguagem. Tradução de Marcia Sá Cavalcante Schuback. Petrópolis, RJ: Vozes; Bragança Paulista, SP: Editora Universitária São Francisco, 2003. P. 158. Ver também nota de rodapé na página 8 da referida publicação.
4
N. T.: grafia da época, assim apresentada no artigo original em inglês.

Datas de Publicação

Publicação nesta coleção
Abr 2014

Histórico

Recebido
06 Set 2013
Aceito
02 Dez 2013

This is an open-access article distributed under the terms of the Creative Commons Attribution License

[1] BENFORD, Steve; GIANNACHI, Gabriella. Performing Mixed Reality. Cambridge: The MIT Press, 2011.

[2] CASTELLS, Manuel. The Rise of the Network Society. London: Blackwell, 1996.

[3] GIANNACHI, Gabriella; KAYE, Nick. Performing Presence: between the live and the simulatedManchester: Manchester University Press, 2011.

[4] GIANNACHI, Gabriella. Environmental Presence. In: GIANNACHI, Gabriella; KAYE, Nick; SHANKS, Michael. Archaeologies of Presence: art, performance and the persistence of being. London and New York: Routledge, 2012. P. 50-63.

[5] GRECIAN VOICES. GRECIAN VOICES. Available at: <Available at: http://grecianvoices.wordpress.com/ >. Accessed on: 26 sep. 2013.
» http://grecianvoices.wordpress.com/

[6] GIBSON, James. The Ecological Approach to Visual Perception. Boston: Houghton Mifflin, 1979.

[7] HARLEY, John Brian; WOODWARD, David (Org.). The History of Geography, vol. 1. Chicago: Chicago University Press, 1987.

[8] HEIDEGGER, Martin. On the Way to Language. Translation: P. D. Hertz. New York: Harper and Row, 1971 {1959}.

[9] HEIDEGGER, Martin. An Introduction to Metaphysics. Translation: Ralph Manheim. New Haven and London: Yale University Press, 1979 {1959}.

[10] HUSSERL, Edmund. On the Phenomenology of the Consciousness of Internal Time. Translation: J. B. Brough. Dordrecht: Kluwer, 1990 {1928}.

[11] INGOLD, Tim. The Perception of the Environment. London and New York: Routledge, 2000.

[12] LEFEBVRE, Henri. The Production of Space. Translation: D. Nicholson Smith. Oxford: Blackwell, 1992 {1974}.

[13] MILGRAM, Paul; KISHINO, Fumio. A Taxonomy of Mixed Reality Displays. IEICE Transactions on Information and Systems, {s.l.}, v. E77-D, n. 12, p. 449-455, 1994.

[14] WOOD, Denis. The fine line between mapping and mapmaking. Cartographica, Toronto, University of Toronto Press, v. 30, n. 4, p. 50-60, 1993.