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CONTEMPORARY TOPICS II • Rev. Bras. Estud. Presença 11 (1) • 2021 • https://doi.org/10.1590/2237-2660100278   copy

A Creative Process between Painting and Body Arts: Carolee Schneemann and Aby Warburg1 1 This text is the result of research with funding from National Council for Scientific and Technological - CNPq and postdoctoral research with scholarship from The Federal District Research Support Foundation (FAP/DF), Brazil, at L’École des Hautes Études en Sciences Sociales (EHESS), Paris. ,2 2 This text is the excerpt of a more extensive investigation, the preliminar presentation of which was published (Pugliese, 2019), and another excerpt, concerning the question of the poetic and epistemological status of photography in the works of Warburg and Schneemann, was presented at the Warburg 2019 International Symposium, in Buenos Aires, Argentina, in April 2019.

Un Processus de Création entre la Peinture et les Arts du Corps: Carolee Schneemann et Aby Warburg

Authorship SCIMAGO INSTITUTIONS RANKINGS

ABSTRACT

This article discusses the issue of the pictorial gesture potency in Carolee Schneemann’s creating process and how her use of herself body allowed her to question whether she could, in addition to an image be also an image maker: a poetic and theoretical juxtaposition at the same time, which causes specific displacements in her performative work. This study aims to correlate operatory concepts around the nymph as a theoretical object, with special attention to its accessories in movement, in the Warburgian sense, from the examination of iconological paths and theoretical approaches inaugurated by Aby Warburg, having as focus the crossings between painting and the body arts.

Keywords:
Performance and Painting; Pathosformeln; Contemporary Poetics; Carolee Schneemann; Aby Warburg

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